Confrontation (Polygraph part 2 - revisited)
(« Confrontation » by cordalth)
« Polygraph » is intended as a portrait of human relationships turning to the sour, hinting at the necessity of constant kindness and genuineness. The suite lasts about ten minutes and is composed of the following four sections : « Exposition, » «…
ContinueAdded by Christopher Stewart on July 24, 2012 at 7:12pm — No Comments
Sooner Or Later (revisited - with poetry)
(« Multiac Nylon » by poligraf)
« Sooner Or Later » does not comes from Poligraf's catalogue as such. Rather, it is a piece for solo guitar that I intend to publish on an album of about…
ContinueAdded by Christopher Stewart on July 8, 2012 at 5:56am — No Comments
In The Vortex (revisited - with poetry)
(« Scylla by William Pye » by mira66)
« In The Vortex » is an energetic instrumental put together while toying with ideas leftover from « Informaëlstrom » and « Leftoverturned. »…
Added by Christopher Stewart on April 6, 2012 at 10:45pm — No Comments
Perseverance
(« Goldfish Pulling a Snail Cart » by James Pollock)
« Perseverance » is the fourth of the series of segues composed to join the tracks of…
ContinueAdded by Christopher Stewart on February 13, 2012 at 3:37am — No Comments
Understanding
(« Detail of a poster for the International Hygiene Exhibition 1911 in Dresden » by Franz von Stuck)
« Understanding » is the third segue in the series that I have written…
ContinueAdded by Christopher Stewart on January 21, 2012 at 7:54pm — No Comments
Purposefulness
(« Dance Of Fire » by SarThePhotographer)
« Purposefulness » is the first of a series of short segues that I have put together in the hopes of joining existing compositions into one continuous piece of music.
In order to preserve the surprise, I won't…
ContinueAdded by Christopher Stewart on August 12, 2011 at 6:33pm — No Comments
Procession (Juggernaut part 3 - revisited)
(« Ratha Yatra Festival in Puri, India » by James Fergusson)
The third part of « Juggernaut, » entitled « Procession, » evokes the arrival of the crushing force before it unleashes into a frenzy of…
ContinueAdded by Christopher Stewart on August 4, 2011 at 7:52pm — No Comments
Integration (The Chrome Lake part 7 - revisited)
(Based on « 4D virtual 3x3x3x3 sequential move puzzle, scrambled » by SpinningSpark)
« Integration » is the seventh and final chapter of « The Chrome Lake. »
This instrumental section starts…
ContinueAdded by Christopher Stewart on July 23, 2011 at 12:50am — No Comments
Steamroller (Juggernaut part 4 - revisited)
(« Wilesco D36 steamroller » by Morn)
« Steamroller » is the fourth chapter of « Juggernaut. » In the storyline of the suite, it represents the apex of pain, and the metanoia.
The instrumental is one of the most busy pieces of music that I’ve written up to now, and…
ContinueAdded by Christopher Stewart on July 17, 2011 at 11:18pm — No Comments
Surface (The Dam part 6 - revisited)
(« Surface Tension » by darkmatter)
In « Surface, » the sixth chapter of « The Dam, » the protagonist/narrator is gradually returning to activity after having transformed into who they feel like being. Ultimately, they reach the…
ContinueAdded by Christopher Stewart on July 7, 2011 at 5:29pm — No Comments
Rapids (The Dam part 3 - revisited)
(« Stromschnelle » by Gerhard Rießbeck)
In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly disappointing river straight into an heretofore…
ContinueAdded by Christopher Stewart on May 13, 2011 at 1:41am — No Comments
Uncoiling part 1 (revisited)
Added by Christopher Stewart on May 2, 2011 at 4:23am — No Comments
Exposition (Polygraph part 1 - revisited)
(Untitled Artwork by Fred Bonneau)
« Polygraph » is intended as a portrait of human relationships turning to the sour, hinting at the necessity of constant genuineness. The composition lasts a little over 10 minutes and is composed of the following four sections…
ContinueAdded by Christopher Stewart on October 16, 2010 at 12:52am — No Comments
Epilogue (Juggernaut part 6)
("Steamroller" by dam)
The closing movement of « Juggernaut » is entitled, simply, « Epilogue. »
Inspired by ELP's «…
ContinueAdded by Christopher Stewart on October 12, 2010 at 7:55pm — No Comments
Introversion & Intervention (The Chrome Lake parts 1 & 2)
("introvert-study" by Robert___T)
« The Chrome Lake » is the core middle part of the « Entering The Stream » trilogy. Lasting a little over 12 minutes, the composition depicts one episode of intense soul-searching, and…
ContinueAdded by Christopher Stewart on October 11, 2010 at 10:31pm — No Comments
Multilethalead (Octoccata part 8)
("Label from a bottle of O·c·t·a·T·o·n·i·c" by Christopher Stewart, using a picture of William Henry Fox Talbot by Antoine Claudet)
The eighth and final movement of « Octoccata » is entitled « Multilethalead » and…
ContinueAdded by Christopher Stewart on October 8, 2010 at 10:21pm — No Comments
Marimbariation (Octoccata part 7)
("Athletics tracks finish line" by Petey21)
« Marimbariation » takes its name from the brief passage featuring the marimba that leads this seventh movement of the « Symphony of Eights. »
Once the percussive instrument concludes its opening…
ContinueAdded by Christopher Stewart on October 7, 2010 at 6:55pm — No Comments
Progigoriation (Octoccata part 6)
("Nixie eight" by L. Marie)
How on Earth can a musical movement be named « Progigoriation » you ask ? Well, obviously, because it's the prog rock variation of another similar movement entitled « Igorchestral » I emphatically reply.…
ContinueAdded by Christopher Stewart on October 7, 2010 at 6:00pm — No Comments
Reoctoverture (Octoccata part 5)
("behind the eight ball" by eschipul)
The next segment of « Octoccata » is entitled « Reoctoverture. » Basically, this section is a reprise of the introduction, hence the name, as it restates the theme presented therein, albeit…
ContinueAdded by Christopher Stewart on October 6, 2010 at 6:26pm — No Comments
Biorhythalead (Octoccata part 4)
("8" by gui.tavares)
The fourth movement from « Octoccata » is entitled « Biorhythalead. » Its title came about from the markers I used to identify each of the sub-sections of the composition.
After a transition…
ContinueAdded by Christopher Stewart on October 1, 2010 at 9:37pm — No Comments
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